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  • Ecology And Urbanism An Overview Part 1

    Ecology And Urbanism An Overview Part 1

    As we increase our focus on ecology, both at the architectural and the urban scale, it is useful to recall the concepts and theories that guide our research and practice. The first concept we want to explore is ecology; we even call ourselves ecological, and we like ecological thinking. But what exactly is ecology in urbanism?

    In the context of urbanism, the word Ecology has several meanings. Urban designers and architects sometimes simply adopt concepts or models of ecological derivation; other times by pluralising the term “ecologies” some describe the relational aspects of the social, spatial, morphological structures they are investigating. Ecology has supplanted the word “environment” as a richer concept embracing relational dynamics between elements of the environment and man. There are, therefore (at least) three definitions of ecology. First, “hard” ecology is a scientific discipline that investigates ecosystems and the effects of actions on ecosystems (including human beings) as well as the different forms of disturbance, decay, pollution that affect ecosystems.

    Second, the variety of spatial and thermodynamic relationships that occur in different environmental contexts are defined as “ecologies”: a term that replaces and integrates the word “habitat”, which instead limits itself to describing only the environmental conditions, leaving out the plurality of relationships that they can trigger with the dwellers. Ian McHarg, the founding father of the discipline, spoke about human ecologies.

    Third, a plurality of ecologies defines different ways of interpreting the hybridisation between biological, urban, planning theories and models, which are redefined in a dynamic, relational and processual sense in an attempt to develop more effective interpretative and conceptual models: an urban ecology, human ecology and ecological or environmental planning, whose definitions are less clear and established, but highlight a struggle to find solutions to several complex problems related to the environment. The process is circular: laboratory ecology also acquires terms and metaphors from other disciplines.

    Ecology and urbanism. 1 The origins.

    Ecology has established itself as a science and has produced relevant results since World War II. Until then, it has been investigated and interpreted within a multitude of disciplinary contexts: biology, geography, sociology, botany, and ecology have composed, a diverse conceptual archipelago, on which various urban planning theories have been developed. Until the early twentieth century, unconventional figures of planners and designers (biologists, agronomists, botanists, sociologists by training) fueled the debate on the role of man in nature and on the relationship between society, city and the environment.

    The processual and dynamic nature and the focus on relationships are the characteristics that have defined ecology since its foundation. The affirmation of the evolutionary theories of Darwin and Von Humboldt has allowed overcoming the classic taxonomic definition of organisms based on their physical structures to identify the functions and mechanisms that enable their survival through relations with the environment. The first definition of ecology dates back to 1866, by Von Haeckl as the “study of the economy of nature and the relations of animals with the organic and inorganic environment, above all of the favourable and unfavourable relations, direct or indirect with plants and with other animals “. The pivotal change here is that the focus shifts from the physical structures to organization, in other words, relations. Along this line, which tajes into account the competitive nature of evolution and adaptation mechanisms, the nineteenth-century studies on plant and animal communities are developed. Organisms, adapt to fit the organized system of life as efficiently as possible: their fitness measures their ability to survive. Following this principle, early ecologists imagined that that the entire organization of life tends towards efficiency and equilibrium through the progressive adaptation of organisms. Their linear and incremental vision of natural processes did not yet take into account the possibility of disturbance, imbalances, and the processes that govern change. Ecology is, in its initial phase, research and affirmation of nature as order and progress.

    In 1905 Frederick Clements developed the theory of plant succession, understood as a natural tension towards a state of maximum efficiency, defined as a climax; the idea was subsequently questioned (see Ecology laboratory 3). Clements also coined the term “ecotone” which describes the edges and points of contact between different plant communities; tone indicates a state of tension between different biochemical conditions, which manifests itself in the greater biological richness of these areas.

    Ecology and Planning

    Environmental awareness and the socio-ecological idea of the city have a double origin. First, between the eighteenth and nineteenth centuries, the idea of man’s dominion over nature, with all its religious had religious and philosophical roots, was contested by romantic thinkers and artists. The writings of Goethe, Emerson, Thoreau describe the dynamic beauty of nature, highlight its thaumaturgical properties and allude to a moral value of natural laws. The return to nature, as a physical place for the rediscovery of original values was the bee big thing.

    A second origin can be traced back to the critique of the industrial city, both as a living environment and as a physical representation of the capitalist development model. George Marsh first enunciated the concept of imbalance and contrast with nature due to economic development. In 1866 he maintained that the role of human beings should be that of “co-workers with nature in the reconstruction of its damaged fabric”: a recognition of the damage caused by man’s opposition to nature. In the United States, the conquest of the western frontier would come with the almost complete depletion of midwestern forests, resulting in environmental disasters such as the “great dust bowl”. The subsequent intensification of disastrous episodes and the highlighting of the relationships between cities and natural resources inspired the work of environmentalists such as Jhon Muir and of technicians such as Gifford Pinchot and Aldo Leopold. They “will support and inform the” philosophies “of management and planning of federal agencies and national parks, of wild fauna and flora forests and of the arid, but rich, lands of the west”, which will emerge especially during the administration of Theodor Roosevelt. Thanks to their work, for the first time the areas of most outstanding naturalistic value and the water reserves on which the prominent American cities depended (New York among them) became “reservations”, protected by federal laws. Muir and Pinchot represent two contrasting approaches to the theme of conservation of natural resources. The environmentalist Muir prescribed the preservation of nature: the total protection from human influence. The conservationist Pinchot (conservation, which today we could define “sustainable development”) recognised and interpreted unconventionally the cultural, political and social dimensions of the relationship between man and nature; he aimed at identifying tolerable levels of management of the resources for use.

    Muir and Pinchot, when they were still friends.

    To read more:

    Ecology and Urbanism, an overview. Part 2

    Ecology and Urbanism, an overview. Part 3

  • Glass Box Extension

    Glass Box Extension

    We recently assisted with an article in Homebuilding & Renovating Magazine, which looked at glass box extensions. The article highlighted many of the different styles of these contemporary extension, there is a different type that can be used to suit every home and design requirement.

    Glass extensions are increasingly popular, as they offer a modern design that deliver light filled homes. With the structural advances in glass it is now possible to achieve these completely frameless, glazed rooms.

    The article used our Peckham Glass Box project as an example of how to successfully open up a Victorian semi-detached terrace home.

    The full article can be found here, the full details of Peckham Glass Box can be found here.

  • Our Children And Our Garden

    Our Children And Our Garden

    In North London, tucked behind tall office buildings and St George’s Garden walls, is a tiny nursery called Collingham Gardens Nursery, seemingly hidden from the rest of London. The place is unique, not just because of its outstanding Ofsted report and parent testimonials; it is extraordinary because:

    1. It is set up as a charity committed to being open to everyone. The fees for sending children here is based on their parents’ or guardians’ income.
    2. It is a parent-led nursery; parents form the management committee voluntarily, hire the staff, including the manager, and supports them in running the noisy, messy machine.
    3. And perhaps most importantly, Collingham Gardens is the steward of a beautiful garden, so rare in the urban heart of London, situated between Coram Fields and the St Georges Garden.

    At this nursery, children are not contained indoors instead, the ethos is for the children to enjoy a vast and adventurous open-air classroom where they learn about nature, plants, bugs, mud, climbing, and building. The nursery also has a strong tradition in forest school.

    ‘The most important classroom has a sky for its ceiling’

    Parents are encouraged to participate in gardening days with the children, getting involved in their preschool learning with nature; the parents also organise the yearly fete to raise much-needed funds.

    A few years ago, I accidentally found this place while searching for the messiest possible place to send my son to preschool. It wasn’t an easy venue for us to get to, involving a 20 minutes bicycle ride each way for the three years we went there, but it was worth it. During our time there, I was a member of the management committee and dragged the Unagru design team into a commitment to assisting with this exceptional place.

    As a company, we have dedicated hours of time pro bono to preparing a grant application to fund much-needed maintenance works over the last year. With the support of the managers and other parents, after a long wait, we have finally succeeded, and we have now obtained £67,000 (sixty-seven thousand!) from Camden Council. The works include new plumbing throughout the building, a new kitchen, new doors and garden equipment, alongside a complete maintenance overhaul to the whole building’s envelope. As a team, we will continue our support and offer our time to follow the construction stage too, which will probably unfold in phases during the long holiday breaks.

    Others will help with this project: London Building Control will provide their services free of charge, and the contractors Expand and Build agreed to carry out the work at a discounted price. We thank them for their generosity.

    Aaaand, it doesn’t end here: we will carry on working with Collingham. The next phases will extend the building to create a new utility pavilion (a messy nursery needs factory-grade washing machines!). Although my son has moved on to school now, this place still holds an extraordinary place for my whole family. I am proud to be able to give back to a place that nurtured his messy curiosity, opening his eyes to the wonders of nature within London.

    Colllingham Gardens Nursery
  • Tour Of Three Masterpieces By Frank Lloyd Wright

    Tour Of Three Masterpieces By Frank Lloyd Wright

    We recently found an amazing collection of 3D virtual tours of Frank Lloyd Wright Houses which we loved exploring and wanted to share. Although travel is getting easier, it is still not easy to jet around the world as we might once have done, so it is brilliant to be able to ‘visit’ some architectural gems online!

    Frank Lloyd Wright (FLW) was one of the most influential architects of the 20th century, and undoubtably an American hero. He is usually referred to as the American counterpart to the European Le Corbusier, which is, of course, a massive simplification of these two great architects, but a useful one to compare the two continents in a crucial period of their design evolution.

    Taliesin West by Frank Lloyd Wright

    For this conversation, suffice to say that the European, Le Corbusier, was a futurist and visual artist who loved density, cities, machines and aeroplanes, he lived in Paris and wore his stylish thick round glasses. In comparison the American, FLW, loved nature, the boundless American prairie and desert landscapes, and was well known for his personal style of wearing a large hat.

    Le Corbusier focused his life on solving the housing problem in the dense, impoverished and efficiency-obsessed post-WWI Europe. FLW predominantly designed houses for families, his idea of the future city was called Broadacre: a horizontal, very sparse settlement connected by a grid of motorways, for social housing FLW idea was a very efficient detached single-family house for the growing American middle class. He called these houses Usonian, and Usonia was his Utopia (United States -onia, for some reason, the word did not stick.) Now, and finally, to the point, we have found links to virtually visit two of these houses alongside a FLW summer office in Arizona, Taliesin West.

    FLW’s houses always featured interplay between connection and expansion where, for example, tiny entrances led to vast open plan living areas. As you would imagine, he was a master in connecting interiors and exteriors and in enhancing the relationship to the landscape: the houses developed horizontally as if naturally extending from the ground, there was always a lot of glass installed and the corridor to the bedrooms were often designed as a glazed gallery through nature.

    Art Nouveau and Japan: FLW was equally influenced by the ‘Arts and Crafts’ and ‘Art Nouveau’ movements brought to the US by his expat teachers, as well as the Japanese way of life and aesthetics. The latter is such a powerful influence on modern architecture that it deserves an article of its own. Some of the later houses by FLW, from the ’40s and ’50s, show very innovative layouts, with kitchens more and more open to the living area: a sign of the comparatively early emancipation of the American housewife. It is our personal favourite version of the kitchen-living relationship (another topic we will write about in a separate note).

    Now for the study of the plans, we hope you’ll like the experience as much as we have. Take your time to really appreciate the details, it is worth it as I have loved every moment.

    Smith House (1941 – 1949)

    The Smith House in Bloomfield Hills is an excellent example of Wright’s Usonian ideal, which aimed to build quality houses for the American middle class. Use this link to enjoy an amazing 3D virtual tour of the home.

    Smith House (1941 - 1949) Frank Lloyd Wright

    Laurent House (1949)

    Laurent House in Rockford Illinois, is another Usonian house example. This home was commissioned by Kenneth Laurent, a disabled war veteran, and is the only FLW building specifically designed for a client with a physical disability. Notice the kitchen dining alcove and the massive corridors, intended for greater accessibility. The link takes you to an impressive 3D virtual tour of the home.

    Laurent House (1949)   Frank Lloyd Wright

    Taliesin West (1937-1959)

    Taliesin West was the winter home of FLW and his design school, set within the desert of Scottsdale, Arizona. A series of low-slung buildings, gardens and pools are created from local materials, fitting perfectly within the surroundings of the desert. Interestingly the building was continually altered, each winter as FLW & his students returned they would make changes and alterations to the rooms which must have been a lot of fun. Use the link to visit online.

    Taliesin West (1937-1959)  Frank Lloyd Wright
  • What Is Happening To The Construction Costs And What Can You Do About It

    What Is Happening To The Construction Costs And What Can You Do About It

    As ambitious architects, our primary goal at Unagru is to get as much as possible done within the client’s budget. In this, as with many other things, our ambition aligns with our clients but sometimes we run the risk of being too optimistic about costs and timeframes.

    On the other hand, and especially during the early conversations, the architects must be the voice of reason and in this role, we increasingly have to voice concerns over budgets and brief due to the recent increase in construction costs. Put simply, construction costs have increased by about 35%; the landscape is mixed, the causes are several, and the responses can vary depending on your situation.

    With this article, we’d like to help you understand what is going on, how long it might last, and what we should all do to reduce the impact of the increases.

    How much have construction costs increased?

    The figures vary across regions and sectors, but construction costs have increased somewhere between 35 and 40% in the last two years, based on the most diffused information. The main leading causes can be broken down into three areas.

    Firstly, construction materials have become 25% more expensive in the twelve months before October 2021, putting the total increase from 2019 at about 35%. The cost increase is primarily due to the pandemic’s effect on supply chains and raw materials. For example, China’s strict approach to containing the spread of the virus has disrupted its output; in similar ways, the past disruptions across the world have caused a lag in production that manufacturers are struggling to bridge. As several countries are easing restrictions, thousands of projects that had been put off or slowed down have regained pace and added pressure to the suppliers. A slight reduction in growth in December has eased this pressure temporarily, but the materials shortage is like to carry on for some time. The products worst affected are roof tiles, timber, steel, cement and paint. (Source: HomeBuildingUK)

    Lastly, global increases in energy bills, partially related to international political tensions, will cause prices to carry on growing by an additional 5-6% over 2022. (Source: NewCivilEngineer)

    Secondly, Brexit has caused a considerable exodus of European workers from the UK. Since the referendum, the Government has estimated a formidable loss of workforce. Fewer builders mean they are in high demand and able to ask for higher wages, plus due to the higher demand the response to tenders tends to be slower.

    Earlier this month, Sadiq Khan called on the Government to introduce a temporary visa scheme to tackle widespread labour shortages in the industry after official figures revealed that the number of EU-born builders in London had fallen by 54 per cent in the three years to April 2020. (Source: EveningStandard)

    Finally, contractors are faced with the only option to increase salaries to keep their workers and spend more to secure materials. They also need to spend more time and money procuring and stocking materials to avoid the risk of running out of critical products during construction. Increased labour and material costs combined with the uncertainty in the future prices: leading contractors to give prices now with an added contingency added to avoid losses, as future products pricing is so uncertain. As Hugo Sells of Buildpartner, a construction cost pricing online platform, summarises: “in the first period, the complications with material supplies and labour have created difficulties for construction companies and reduced actual profit margins in the short term. As a reaction to the overall volatility, overall margins have been increased, both due to the increased operating costs but also as a contingency against future price increases”.

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    What can homebuyers and architects do to improve the situation?

    Think of the bigger picture.

    Know that everyone is in the same situation, and the market is slowly adapting. The slowdown in construction through December 2021 has started easing the situation on the supply side, and there might be more adjustments coming to additionally ease the situation.

    Speak to people you can trust.

    When discussing a new project, make sure to get a complete picture of all the costs you need to factor in. Several contractors and professionals provide partial figures to avoid scaring away potential clients, a good architect will set out for you the full scope of the costs.

    Choose the right project.

    Prioritise projects on your home with the potential to add square floor space and therefore, tangible value to the property. For example, ground floor and loft extensions increase the property’s value significantly and better offset the increase in costs so are a far better return on investment. For example, a typical rear extension will add approximately 15 square metres to a house, with an average value of £8k per square metre, you would be automatically adding £120k. Similar considerations can be done for roof extensions.

    Learn to prioritise.

    Even within one project, some items are more important and urgent than others. Replacing the existing windows, for example, can often wait one or two years without affecting the main construction programme. As architects, we often suggest prioritising the few elements that make the difference: a good layout, the floor finish, and an efficient plumbing and mechanical system that is futureproofed are the essentials. We believe in using all the tricks in our arsenals to reduce the costs of every other element, including items like a simple Ikea wardrobe as strategic micro-interventions around bedrooms, which can always be upgraded at a later stage if needed.

    Invest some time and money in an early cost estimate.

    About four weeks in, the main aspects of the project should be pretty established. At this moment we would recommend you investing one day and a few pounds towards an updated cost estimate, as this might save you time and money later down the road. Constantly gauging construction costs will avoid any possible re-design fees and save precious time during the tendering stage.

    Take your time to select the builder.

    With so much demand, builders may be tempted to raise their prices to accommodate prospective clients’ calendars or increase their profits. When tight timeframes constrain you, self-imposed or real deadlines will influence your selection. On the other hand, having factored in some additional time will allow you to choose the right builder for you, no matter what their commitments are. In some cases, you might be able to get a discount because you fit exactly into their work schedule plans. Hugo Sells, CEO of Buildpartner also recommends being wary of quotes that seem too good to be true: “if you shop around and miraculously find a cheaper than expected quote beware, it is likely to be a mistake or an inexperienced builder”.

    Conclusion.

    With higher construction costs, it becomes more important to think carefully and seek advice from the earliest stages of your project (from the imagination stage, to be precise). Before committing your mind to a specific property it might be a good idea to speak to a professional to figure out the main parameters of the project you can afford and that suits you best. Favour properties that can be extended over ones requiring only remodelling to preserve the value of the investments and, ideally, choice a property you can live in for some time to avoid spending money on both your rent and mortgage.

    Tent on A Hill, Streatham

    Joinery wall at our project in Streatham.

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    We are happy to invite CLPM to share with us their points of view to elaborate on the discussed topic above.

    For more readings, please visit https://cl-pm.com/what-is-happening-to-construction-costs/

  • The Architecture Of Happiness

    The Architecture Of Happiness

    Over 2022 we are looking to share some design books that most resonate with us, up first is ‘The Architecture of Happiness’ by Alain de Botton which feels a perfect choice to share with our clients, colleagues and friends. This book encapsulates the philosophies and lessons that we at Unagru believe in, that we have translated into our architectural design practice.

    I came across other books by de Botton, such as ‘Essays in Love’ and ‘Status Anxiety’ and his ‘School of Life’ videos on YouTube, which philosophise or perhaps even romanticise the ideals of daily endeavours, from personal relationships to worldview perspective. The revisiting of ‘The Architecture of Happiness’ was surprisingly refreshing, observing how his deep knowledge in literature, arts and philosophy translates into architecture. The key elements of his narrative? Beauty and happiness.

    The main statement of this book comes into the scene later, after a general introduction of how de Botton sees and experiences architecture, where he offered his thoughts by quoting Stendhal;

    ‘Beauty is the promise of happiness… there are as many styles of beauty as there are visions of happiness’.

    Page 98

    The first three chapters of the book serve as a good introductory background for the readers to perceive the fundamentals of architecture, connecting to topics like styles, aesthetics and in general how to read a building. Personally, I thought the chapter ‘The Ideals of Home’ is a crucial one as it directly demonstrates the principles of home designs and domicile, which translate into ownership and sense of belonging. For Unagru, we believe in this for both residential and non-residential projects.

    “… what we call a home is merely any place that succeeds in making more consistently available to us the important truths which the wider world ignores, or which our distracted and irresolute selves have trouble holding on to. As we write, so we build: to keep a record of what matters to us.”

    Page 118

    In his earlier writings, de Botton stated the human’s constant, perplexing desire and drive for happiness in relation to architecture as a reminder or pursuit in our life, particularly the role of a home in mirroring who we are. Perhaps it is fair to say; if the personalised elements such as decorations placed or the time spent by the occupants are reminders or reflection of the identities, then the architecture is the common pursuit of the user and architect to a better lifestyle where both sharing the same projection of ‘styles of beauty and visions of happiness’.

    Overall, I would recommend this book to all those interested in architecture and design, it is both accessible to read and, I would suggest, it can take you on a contemplative experience!

    Written by Gary Yeow

    Edited by Nancy Hargreaves

  • New Take On Social Housing

    New Take On Social Housing

    The team recently visited the Design Museum to take in the ‘Waste Age: What can design do?’ exhibition, a thought provoking look at how design could be the answer to changing our ways and leaving the throw away culture behind.

    Four-ton concrete balcony structures are lifted one at a time up to the 10th storey of a council flat block in Bordeaux, France. The crane operator describes how the engineers on-site help him place the units accurately. Then, the scene cuts, and we realise the balconies have been partially closed off to become winter gardens, the flats they are attached to open to the balcony to take advantage of the new space, transforming the flats into brighter homes at almost double their original size. These scenes are part of a video describing the work of French architects (and Unagru heroes) Lacaton et Vassal, part of the Design Museum exhibition ‘Waste Age: What can design do?’, a very worthwhile exhibition to visit if you get the chance, it will only run until 20th February 2022

    The background: since 2003 the French government has spent €15 billion demolishing and rebuilding social housing blocks. At a cost of €26,000 to demolish and €120,000 to rebuild per unit, they have demolished about 150,000 units and rebuilt eight thousand less than this number. Of course, the new flats do make much better homes, but still, it must be frustrating to invest so much money with the result of and having fewer social houses available than when they started.

    Lacaton Vassal Bordeaux housing estate

    Lacaton et Vassal see this whole strategy as a senseless violence: people losing their houses and relocated for years, often not being able to return to their original neighbourhoods. They investigated the matter for years and delivered their finding in a report called PLUS. The solution is simple: rather than demolishing the large housing buildings, extend them outwards to provide extra living and outdoor space. In their designs the existing flat is opened up to the winter garden (about 3 metres deep) and the new balcony (about one metre deep). This transforms the apartments as they are opened up to light and landscape, with a buffer zone to assist with the climate and glare, plus essential additional living space. Albeit apparently technical, their proposal has architecture at its core centre to solving this issue.

    Each flat was investigated and visited, with each solution slightly personalised by the inhabitant. Seen from the exterior the concrete structure, with reflecting glass panels, metal railings and shiny silver curtains, combine into an elegant monochromatic facade that changes throughout the day and the seasons.

    Lacaton Vassal Bordeaux housing estate

    The cost is of this magic solution is €45k per unit, only a third of the demolition + rebuild policy. If they had used this design solution they could have saved €10 billion for new social housing, or have provided 80,000 new homes. Of course it’s not always that simple, the super balconies design solution can’t work in every situation but it does put the costs into perspective and you could safely say the French Government have missed an opportunity to build at least 50,000 homes.

    In the architects’ words:

    The general economy of the project is based on the choice of conserving the existing building without making important interventions on the structure, the stairs or the floors. This approach on economy makes possible to focus the energy on generous extensions that are, according to us, the key to enhance in a lasting way the dwellings quality and dimension. These extensions widen the space of use and the evolution of the dwelling and give the opportunity, as in a house, to live outside, while being home.

    In the UK, we often see a similar social housing upgrading strategy, although usually oriented at increasing density of the site. We demolish a medium-sized estate building and replace it with a larger, mixed social and market housing block with the buyers of the market flats paying for most of the operation. We will discuss on the housing policies in our next newsletters – contact us to get onto the mailing list.

    Do visit us at our studio if you would like to flick through our design books on Lacaton et Vassal, chat about their work over a coffee.

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    Waste Age: What can design do?

    The exhibition introduces us to the topic through hard data, against a timeline.

    We produce a lot of waste, and every year we consume way more than the planet can give, shown against a timeline with the industrial revolution, the introduction of plastics, and our consumer society. It is sobering news.

    The answers are cultural (we should buy good quality items that last, and fix things rather than replace) and within technological and product design solutions. Here we find all manner of items, such as organic or recycled fabrics put together by the Stella McCartney design house; recycled bricks, mushroom grown insulation panels and seaweed tiles. All these forward thinking products excite us and we will try to encourage our clients to incorporate these into future projects.

    The Design Museum is located on High Street Kensington, with a permanent exhibition devoted to contemporary design that is well worth a visit. The building itself is also stunning, a Grade II listed 1960’s building originally designed by Robert Matthew Johnson-Marshall and Partners and completed in 1962 to host the Commonwealth Museum. After the museum closed in 2003 the building was refurbished by John Pawson as part of a masterplan devised by OMA, probably the most influential architecture and urbanism office in the last thirty years.

  • 2022 Cranes

    2022 Cranes

    2021 was a challenging year for us all, especially those within the construction and architectural design industries, amid the lockdown restrictions, delays on processes and materials and cost increases; added to this we at Unagru have welcomed several new members to the design team (check out the teams bios here).

    For me the best parts of the last year were sharing our successes and struggled with our clients. Among the small successes, The Sponge (our extension and renovation in Queens Park – read more about the project here– link to website) was shortlisted in the prestigious Don’t Move Improve Award and shortlisted in the national Build-It Awards, the project was also selected for inclusion in the London Open House Festival (during which Tony Fretton turned up and made my year!). It was also a delight to see the project included in many design magazines, including Grand Design Magazine. So much goes into our designs, it is always rewarding to share these ideas with others. The Open House event runs annually, designed to make London and it’s architecture more open and accessible to all citizens. It was an honour to have two of our projects included in last years event, others venues of note (that anyone was able to visit during the event) included Number 10 Downing Street, Dennis Lasun’s Royal College of Physicians and Chiswhick House and Café, such a wonderful mix of venues. Both The Sponge and the House for a Cellist (which we will describe to you in our next newsletter) open events were a great success, with hundreds of people visiting and enjoying the space, we really feel that we made a lot of new friends over the event.

    With several new exciting projects on the drawing board, a new commitment to teaching, and a world to conquer, we are now looking for architects and architectural assistants to join the team. So please spread the word!

    Thomas joined Unagru in March
    Thomas joined Unagru in March
    Gary joined Unagru in October
    Gary joined Unagru in October
    Jamie joined in November
    Jamie joined in November
  • Build It Awards

    Build It Awards

    We are thrilled that our project, The Sponge, has been shortlisted in this year’s Build It Awards, in the Best Architect or Designer for a Renovation or Extension Project’ category.

    The annual awards have now been running for over 10 years, set up to celebrating and highlight the best of self-build and renovation projects across the UK. We are delighted to have been shortlisted in such a prestigious awards and we congratulate all the other shortlisted architects.

    This year’s winning projects will be announced at the ceremony on 26th November 2021.

    The full list of shortlisted can be viewed here

  • Open Day Festival Success

    Open Day Festival Success

    What a great pleasure the past two weekends at The Sponge and House for Cellist! The two private homes were generously opened up by their owners- thank you – A&B & Mr Cellist! – for the public to visit as part of this inspiring celebration of design.

    It was a really busy few days and a great success, with over 500 visitors coming to see us. It is always such a delight to have so much interest in our work from students, fellow architects and of course just those who appreciate good design. It also gives us a rare opportunity to see such different people interacting with our design. These events offer invaluable insight on our projects, showing us how people really move across the space and connect with the design.

    Thank you all to our clients, and the volunteers (now willingly or unwillingly members fo the team) who helped, giving up their personal time to assist with the smooth running of the day. We really appreciate everything you have done Ahmed, Christine, Sude, Catherine, Dominique, Darren, Caroline & Stephen.

    Another highlight of the festival was receiving a visit from architecture legend and my personal hero Tony Fretton, teacher, theoretician, sponsor and most importantly great architect. It was a honour that he decided to visit and praise The Sponge, and a pleasure to meet him.

    Open House is an annual event that has been running for three decades across the capital. The festival celebrates architecture and urban landscaping, offering access to some of the most iconic (& often private) locations across London. If you missed it this year make a note in your diary to get involved with the next one. If there is one real architecture festival that’s the Open House, showing built architecture, from the inside and the outside, and open to all.